
This blues mural from 2009 on a porch on Fourth Street in Richmond, Indiana, is three blocks away from where country blues legends Blind Lemon Jefferson, far left, and Charley Patton, far right, recorded in 1929 at Gennett Records. At Patton’s recording date, he debuted his classic “Spoonful Blues.” In the 1960s, as guitarist with British rock trio The Cream, Eric Clapton, center mural, recorded “Spoonful” (a version modified by Willie Dixon in the 1950s). Three months after Jefferson recorded in Richmond, he died in a Chicago snowstorm.
Unknown to the public, Scotty Anderson has a global following with guitarists, thanks largely to sound and video downloads on the Web. The late Chet Atkins once quipped, “Scotty plays Chet Atkins better than I do.” For 30 years, Scotty’s blistering country-rock technique has drawn the praises of such guitarists as Brian Setzer, Eric Johnson, John5, Lonnie Mack, James Burton, and the late Danny Gatton. A Kentucky boy who grew up in a family of mountain pickers, Scotty shies away from touring opportunities, but attracts the faithful where he’s most at home - in small bars and outdoor venues around Cincinnati, Ohio.
The Comet is a tiny, century-old bar in Cincinnati’s eclectic neighborhood of Northside where every December since 2002 local keyboardist Steve Schmidt holds his “Christmas Extravaganza.” For decades, Schmidt has been a Cincinnati jazz fixture on the piano, but for this event, he puts his C-3 Hammond organ in the Christmas spirit. Most years, Chicago saxophonist Scott Burns and drummer Mark Wolfley (both pictured) have joined the packed festivities. The annual extravaganza has its origins with Schmidt’s CD “Merry Christmas Baby.”